At the closing event for the Around the Toilet project, we celebrated the provocative, visual and artistic creations produced in our research workshops over the last seven months. The exhibition space provided by Z-arts in Manchester gave us plenty of room to display the ‘Toilet Stories’ comics created by children at a local Primary School, toilet drawings and postcards by Smizz, the alternative toilet symbols created by members of Venture Arts, and the incredible installation game designed and built by MA Architecture students at the University of Sheffield as part of the Live Projects programme. In a separate workshop area, creativity continued to flow on the day thanks to resident artists who helped us to stencil political toilet slogans and designs onto t-shirts and tote bags. A cinema room also offered people attending the event the opportunity to watch a range of activist, artistic and Hollywood depictions of toilets.
[Three images: L-R: T-shirts printed with toilet slogans; Venture Arts alternative toilet signs; the toilet installation game. Photos courtesy Eleanor Lisney, Jana Kennedy and Niki Sole.
Activists, campaigners, academics, architects, and others with an interest in toilets, space and access, assembled at our ‘Re-Imagining Toilets’ event on 27th November to continue the conversations that the Around the Toilet project – and many campaigners and academics before us – have been having around the safety and accessibility of public toilets. In particular, but not exclusively, the event considered provisions for queer, trans and disabled people. Dr Jenny Slater, Principal Investigator on the project, introduced the day by reflecting on the social perceptions of toilets, toilet research and campaigns around access. Slater notes that despite toilets playing a fundamental role in all of our lives, the Yorkshire Post recently dropped an article they had invited Around the Toilet researchers to write to mark World Toilet Day. The article was unsuitable, the Yorkshire Post claimed, because it was believed to focus too much on ‘minority issues’. Slater argued that not only were the Yorkshire Post wrong to think that toilet issues were applicable to an insignificant number of us (in fact, we all use toilets), but also that ‘minority issues’ shouldn’t be addressed in their paper.
The speakers joining Slater on the panel had also played key roles on the project. Like Slater, they reflected on how toilets are crucial yet mundane parts of our everyday lives. Dr Emily Cuming, Co-Investigator on the project, considered how toilets are both materially and socially forged, ‘hooked up’ through plumbing and mechanics, but also understood and used as part of a wider public, cultural space. There is nothing natural or given about the categorisations our bodies acquire through toilets, adds Cuming; toilet designs, location and labels are always ideologically loaded. Disability equality trainer, Gemma Nash, spoke about disabled parents’ use of toilets, noting the stigma and moral judgements which place them under greater scrutiny regarding their ability to care for their children. Nash argues that this can unfortunately lead to disabled parents doubting themselves. Communal baby changing spaces may work well for some, Nash adds, but due to the judgement many disabled parents face, shared spaces may feel intimidating or uncomfortable for others.
[Three images: L-R: The ‘Toilet stories’ comics; ‘The only good tory is a lavatory’ t-shirt; Smizz’s drawings of the event. Photos courtesy of Action for Trans Health, Jenny Slater and Eleanor Lisney.]
Morag Rose, co-founder of the Loiterers Resistance Movement, discussed how the power structures of our built environment need to be incorporated into our consideration of toilets. She pointed to the rich social history of public toilets, reflecting on whose bodies and identities have been considered in their planning, and the often unexplored boundaries of public/private space. Jess Bradley, Action for Trans* Health Trustee, was the final speaker in the first session. She argued that that by labelling toilets as ‘male’ and ‘female’, we assume that these two categories are the only ones available. Toilets do not only reflect how society understands gender, Bradley comments, toilets produce our ideas about gender. However, things are changing. Bradley notes that gender neutral toilets are becoming increasingly commonplace, and are very often incorporated into building designs without controversy. We do, after all, use a gender neutral toilet every day in our own homes.
Following a refreshment break, the next panel addressed the importance of architects’ perspectives on toilets. Dr Lisa Procter, Co-Investigator on the Around the Toilet project, illustrated how the historical model of the ‘ideal’ (hu)man had been used to design toilet facilities and that these measurements were taken to be a universal standard. Whilst approaches to design have changed, toilets still fail to adequately reflect the diversity of their users. Procter provided many visual examples of the aesthetic potential of toilets. In some cases, toilets are not simply hidden away, but incorporated into the design of the city as their own feature; toilets as public art. Following Procter, Niki Sole and Suki Sehmbi, MA Architecture students at the University of Sheffield, talked about their roles on the Live Projects toilet team. A group of eleven students spent six weeks designing various tools for disseminating and exhibiting our research findings. One of the key outputs from the Live Projects group was the installation game on display in our gallery on the day. Sehmbi and Sole discussed the design process behind the installation, reflecting on some of the challenges of their brief – especially the size limitations, given that the disassembled installation needed to fit inside the boot of Slater’s car. Both Sole and Sehmbi emphasised how participating in the project had transformed their understanding of toilets and the design and planning processes involved in accommodating access requirements.
[Three images: Photos of some of the outputs produced by the MA Artichecture students. L-R: Toilet roll with Smizz cartoon drawings; Installation game; Toilet twitter handbook. Photos courtesy of Y Mu.]
Our final panel of the day brought together members of the Loiterers Resistance Movement, Action for Trans* Health, Queer of the Unknown, Truckers’ Toilets UK, the Greater Manchester Coalition of Disabled People, Changing Places, Accessible Derbyshire, and the MA Architecture Live Projects programme. It was inspiring to hear so many voices dedicated to putting toilets on the political agenda. We discussed the ways forward for toilet activism, practice and research; covering a wide range of topics including: the closure of public toilets, the re-labelling of toilets to include a gender neutral option, the use of direct action in response to accessible toilets used as storage cupboards, the lack of consideration given to Changing Places toilets when training architects, on-street urinals and gender socialisation, school toilets, menstruation and learning disabilities, and the radical potential of toilet protests. Many of these discussions were framed within a broader context of austerity and welfare cuts. Morag Rose argued that if the city is presenting itself as open 24 hours then its toilets, too, need to be available at all times. Similarly, Jess Bradley reminded us that toilets need to be included in anti-austerity campaigning, just as a critical perspective on cuts and privatisation needs to be incorporated into our discussion of toilets.
After a delicious vegetarian buffet, a performance from Queer of the Unknown brought the event to a close. Jess Bradley and Loz Webb staged their piece within the toilet installation, using the copper pipe arches to create the public cubicle stalls in which their performance was set. The piece drew on a range of performance practices, including dance, poetry, movement, and even some (well-received!) audience participation. They encouraged us to think about many of the themes of the day; access, safety, transgression, policing and solidarity. Scene-by-scene, Queer of the Unknown negotiated an artful balance between funny, political and poignant; proving all three are possible at once.
[Image: Queer of the Unknown performing. Two people: one sitting within the toilet installation and one standing, reading form a piece of paper. Blue lights overhead and the audience sitting at the front. Photo courtesy of Steve Graby.]
Thank you to everyone who attended Re-Imagining Toilets, or has contributed to the project over the last few months. Hopefully this won’t be the last you hear from us…
(A storify of the event is also available to view here).